An encounter with Lux PrimA

Karen O, Dangermouse, dir. by Barnaby Clay. Spatial Sound Engineering by Martín Carrillo

Vanguard

4.24.2008 / Vanguard Investigative Journalism and Current TV

Music by Martin Carrillo

ROmeo And Juliet

2.16.2017 / A Noise Within Theater, Pasadena, CA

Original Music and Sound Design by Martin Carrillo

Hong Kong DisneyLand

3.6.2005 - 9.10.2005 / Audio Designer - LCS/Cuestation Programmer

Festival of the Lion King at the Theatre in the Wild - Hong Kong Disneyland

Festival of the Lion King at the Theatre in the Wild - Hong Kong Disneyland

Audio Show Control

Audio System Installation supervision and commissioning as well as Sound System programming for Matrix3 systems in the two major show venues at Disney's Hong Kong gate. The Arena Stage at Theatre in the Wild boasts 4 x 5.1 zones and discreet panning to any of the vomitorium Satellite speakers as well. Spacemap Surround panning and cue programming and control.

Man of La Mancha

3.31.2017 - 6.4.2017 / Sound Design and Sound Recording by Martin Carrillo

Man of La Mancha

In January, Nik Engelhart and Christopher Bosco joined the Heardrum Team to Assist and Engineer, Sound Designer, Martin Carrillo's vision for the show. It was a challenging decision early on to seat the band in the upper balcony of the theater and it required rethinking of the mains system and Vocal cluster. Nik and Christopher worked tirelessly during the tech phase to update scripts and tend to the band while supporting the run of rehearsals and show.

Minding Swarthmore

Documentary Directed by Shayne Lightner. Sound Design, and Sound Editing by Martin Carrillo.

Notorious

Promo Mix, Sound Design and Dialogue Editing, for Stun Creative's Notorious campaign.

Paradise Lost SHadows and Wings

9.23.2007 / Original Music by Eric Whitacre / Theater @ Boston Court / Sound Designer, Martin Carrillo

Ron Athey and the Broad Museum Present:

Gifts of the Spirit:

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8 points of spatial surround

Featuring Meyer Sound Speakers and Matrix3 SpaceMap, Designer Martin Carrillo translated the multiple performance and presentational directions into zones and playing areas allowing the 3 operatic vocalists and moving artists to pan as they moved around the room.

MOOGFEST and Meyer Sound

Spatial Sound Panel Discussions

 

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Spatial Sound

Martín Carrillo in discussion with MOOG engineers on the operation of SpaceMap and Cuestation software that provided the mathematical engine for the spatial panning at Moogfest.

Martín Carrillo speaks on the subject of spatial sound for live theatrical and event sound. Left to Right, Steve Ellison, Michael Roan, Martín Carrillo, Jacqueline Kiyomi Gordon, Mileece Abson.

Martín Carrillo speaks on the subject of spatial sound for live theatrical and event sound. Left to Right, Steve Ellison, Michael Roan, Martín Carrillo, Jacqueline Kiyomi Gordon, Mileece Abson.

 

BROAD MUSEUM:

Various Sound Installations and Summer Happenings

 

Martin Carrillo is Sound Designer for numerous Broad Events and installations throughout the year. Summer happenings like the Strange Forest event chronicled in this video bring together Performance artists, Music Acts, and Poets, curated to provide a resonance with artworks in the collection. Sound support is provided for four venues within the Museum.

The Happenings events have featured Miho Hatori, Xiu Xiu, Perfume Genius, Richard Hell, Clipping, William Basinski, Kim Gordon, Jenny Hval, Devendra Banhart and many others.

Cave: A Dance for Lilith

LADC Dancers. Photo by Taso Papadakis

LADC Dancers. Photo by Taso Papadakis

Photo by Taso Papadakis

Photo by Taso Papadakis

Cave: A Dance for Lilith  -  TheatEr Dybbuk

11.9.2012 at Diavolo

In 2012, Theater Dybbuk presented its most ambitious project to date in collaboration with LA Contemporary Dance. Penned by Aaron Henne and choreographed by Kate Hutter. An epic work chronicling the threads of feminine myths in ancient Jewish texts. Cave is at once reverent and challenging with a raw power that only dance can bring. The work featured a Score by Eric Mason, and a transformation of the Diavolo space in DTLA. Rubber "sand" created a tactile dynamic dance space. The Sound Design featured a DMitri 24 channel DMitri system and two wireless for the vocalists in the piece, plus Eric's Electric Cello, Harmonium, Ableton Samples, and various toys. 

Wireless Microphone Threading

Martin Carrillo At work threading a wireless microphone for actor, Brad Culver.

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Blood Red Lost Head Dead Falcon: The Nibelungen

Collision Theory:

Dir. by Aaron Henne, Sound Design and Music by Martin Carrillo

Eat Me:

Feature Film Score by Martin Carrillo